In her search for the true origins of a haunting melody, the filmmaker travels to Turkey, Greece, Macedonia, Albania, Bosnia, Serbia and Bulgaria. The trip is filled with humor, suspense, tragedy and surprise as each country's citizens passionately claim the song to be their own and can even furnish elaborate histories for its orgins.

The tune emerges again and again in different forms: as a love song, a religious hymn, a revolutionary anthem, and even a military march. The powerful emotions and stubborn nationalism raised by one song seem at times comical and othertimes, eerily telling. In a region beseiged by ethnic hatred and war, what begins as a light-hearted investigation ends as a sociological and historical exploration of the deep misunderstandings between the people of the Balkans.
Four former combatants from Bosnia-Herzegovina,Croatia and Serbia and four people who were close to them at war-time, speak of their motivations to join the war in the nineties and their views of it from nowadays perspective and gained insights in the meantime.

Novica who lost his leg in war speaks of his need to communicate with Croats who stood at the other side of the frontline, his wife Borica speaks of the despair she felt when she was left alone with their children. Nermin, a committed Muslim fromSarajevoconfronts discrimination against Serbs that happens today, his friend Aco feels the burden that war has left him...

Bitterness and the feeling of being betrayed connects their thoughts, but foremost the feeling of responsibility to engage in order to prevent violence from happening as extreme as it once was, and as subtle as it goes on today in various discrimination forms against minorities. The combatant roles are miraculously replaced by roles of social activists who confront mainstream nationalism and hatred against former enemies.

Once fighting for their states, today they fight for open borders and freedoms for all people, learning from their experiences and acting according to their feeling of responsibility.
The first documentary from the series "Simulated dialogue". The subject is relationship between Serbs and Bosniaks, ten years after the war which is still present at hearts and minds of many.
How to overcome the pain, hatred, fear, the feeling of mistrust and misunderstanding?
Can there be reconciliation after all and who is responsible for the violent past and the situation nowadays?
Twenty-three persons give their responds and ask their own questions. Among them there are refugees, those who lost close family members, those who were children at wartime, former combatants, believers, altogether people who's opinion is rarely heard and asked for.
Although they never met, they run a dialogue offering a chance to reach better understanding of views from the other side, a dialogue which surely contains parts that may hurt someone.
The third documentary from the series "Simulated dialogue".
People of Bosniak and Croat origin speak about the war and the difficult legacy of the past, about hatred and pain, about their fears and hopes.
What they reproach each other, what did the war teach them, how it is like to be in exile, how do they live today with those of different ethnic or religious background?
Who started the war? Was it aliens who knocked down the Old Bridge of Mostar? Is it English or idiots amongst us, who are guilty for the disasters of the past? Is the indifference for other people's suffering really normal? Which way leads towards reconciliation and how long is it going to take?
Simulated dialogue at crossroads: Albanians and Macedonians from Macedonia about the war, discrimination, coexistence, future.
Joint visits of war veterans from Bosnia-Herzgowina to places of suffering.
Croatian feature drama. Directed by Arsen Anton. 
Danis Tanovic.
During the Winter Olympics in Lillehammer in February 1994 the president of International Olympic Committee Juan Antonio Samaranch left Norway so he could visit Sarajevo under the siege in the middle of a war. This act of human and olympic solidarity is the center theme of this documentary that aspires to once more encourage and promote the idea of Olympic truce, that originates from ancient Greece.
Once there was a cinema is a nostalgic tale of a passionate relationship of citizens of Stolac and their cinema that ceased to exist twenty years ago. However, this film is not just a reminiscance of the «Bregava» cinema in Stolac, but it is also a reminder of people who ran it, screened films and many followers of the big screen -- its audience. It is an indescrete reminder that the new generations of Stolac population use to send a message that a cinema in the town on river Bregava is still something to be dreamed of and aspire to.
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